First up was singer-songwriter Rebecca Barnard, who wrote to her car, lost deep in the labyrinthine bowels of the Crown Casino carpark. She described perfectly the creeping, irrational anxiety we have all felt when losing our bearings in a sea of parking spaces, complete with thinking up various rapist deterrents, which in Rebecca's case included shooting them in the face with breast milk. She told us of her utter and desperate relief upon finding the parking attendant, and apologising to him for 'having no spatial awareness because I'm so hormonal at the moment'. A side-splitting letter to start off a potentially devastating topic.
Next up was the simply glorious slam poet Maxine Beneba Clarke. She performed her letter in a glorious mix of spoken word and song, and wrote to her fears, specifically to her fears for her children. Her voice sent shivers through me, and the ballroom was completely speechless as we listened. She spoke of the most terrible things she could imagine happening to them, and when juxtaposed with lines like 'the truth is we walked death row before we learned to crawl' and 'these fears will drift like powdered charcoal on the wind', it made for an almost surreal experience. The applause was long and loud.
Culinary queen Stephanie Alexander was next. She wrote to a beloved letter from her 'guru', the food writer Elizabeth David, who she tragically never met properly in the flesh. Stephanie is a Francophile who was heavily influenced by Elizabeth David's writings, but it was Stephanie's prose that had the audience completely and utterly drawn in. Her letter was articulate, masterful and clear, and there was an audible groan when she revealed at the end that she had lost the treasured letter from her hero!
Randa Abdel-Fattah, author and academic, wrote one of the most intense letters I have heard. She wrote to her composure, and put us in vivid context - travelling with her elderly father and her young daughter, trying to get through the checkpoints to the Palestinian West Bank to see her father's birthplace and her grandfather's grave. As Randa marvelled at the patience of the Palestinians she shared the bus with, knowing it was a normal, everyday experience that they had to deal with, she was infuriated by the treatment dealt to them. 'Those who are denied their human rights do not have the luxury of despair'. Thankfully, Randa and her father managed to obtain a 7-day pass, which was better than nothing. You could have heard a pin drop in the ballroom as she read.
Finally, Gorgi Coghlan brought the entire place to tears with her letter to the deceased child of a close friend. The bereavement was fresh, but Gorgi wrote with warmth and heart in the face of what was obviously the rawest of experiences. She acknowledged that while there was nothing good that could ever possibly come from such a tragedy, such things can help us remember to find the good in our own lives we're lucky enough to still have. Keeping a clean house pales in comparison with keeping a happy family. Stories and laughter and songs are more important than timetables and groceries. And on that note, the reading was finished, and we had a break to buy more drinks, write our own letters, and listen to a very entertaining Q & A!
I think my favourite thing about Women of Letters is that it exposes you to a range of people and experiences you would not otherwise have come across, all linked by a common thread. It really drives home the similarities we share, whatever someone's circumstances, and the understanding that transcends differences and binds us together.
Randa Abdel-Fattah, author and academic, wrote one of the most intense letters I have heard. She wrote to her composure, and put us in vivid context - travelling with her elderly father and her young daughter, trying to get through the checkpoints to the Palestinian West Bank to see her father's birthplace and her grandfather's grave. As Randa marvelled at the patience of the Palestinians she shared the bus with, knowing it was a normal, everyday experience that they had to deal with, she was infuriated by the treatment dealt to them. 'Those who are denied their human rights do not have the luxury of despair'. Thankfully, Randa and her father managed to obtain a 7-day pass, which was better than nothing. You could have heard a pin drop in the ballroom as she read.
Finally, Gorgi Coghlan brought the entire place to tears with her letter to the deceased child of a close friend. The bereavement was fresh, but Gorgi wrote with warmth and heart in the face of what was obviously the rawest of experiences. She acknowledged that while there was nothing good that could ever possibly come from such a tragedy, such things can help us remember to find the good in our own lives we're lucky enough to still have. Keeping a clean house pales in comparison with keeping a happy family. Stories and laughter and songs are more important than timetables and groceries. And on that note, the reading was finished, and we had a break to buy more drinks, write our own letters, and listen to a very entertaining Q & A!
I think my favourite thing about Women of Letters is that it exposes you to a range of people and experiences you would not otherwise have come across, all linked by a common thread. It really drives home the similarities we share, whatever someone's circumstances, and the understanding that transcends differences and binds us together.
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